#LINKIN PARK ONE MORE LIGHT ALBUM UPGRADE#
#LINKIN PARK ONE MORE LIGHT ALBUM FULL#

The closing Sharp Edges is bordering on вЂњLinkin Park does country popвЂќ and is a bewildering way to finish the album вЂ“ the title track would have been a much better choice.

The albumвЂ™s title track is a slow burning ballad that is Chester BenningtonвЂ™s best performance of the album (and will blatently be вЂњa lighter / phone momentвЂќ at the bandвЂ™s upcoming world tour) and is perhaps the track that will sit best with the fans who have been with the band since the start. Other tracks like Sorry For Now (even with the albumвЂ™s only guitar solo) and Halfway Right just do not leave enough of a lasting impression to be anything more than pleasant background music. Battle Symphony has an effective mainstream appeal to it, while One More LightвЂ™s first single, Heavy (featuring female pop star Kiiara), for all the mocking it received on itвЂ™s initial release, is genuinely quite a catchy song with earworm qualities.

#LINKIN PARK ONE MORE LIGHT ALBUM FULL#

Ironically, the albums two strongest tracks are the ones where Linkin Park go full on pop. Talking To Myself, the one track to feature more than a smidgen of guitars, is unfortunately only noteworthy for that fact and little else. Good Goodbye sees Mike ShinodaвЂ™s brightest performance of the album, but the track feels like nothing more than a blatant grab for some of the stardust recently sprinkled on grime guest stars Pusha T and especially Stormzy. The album begins with Nobody Can Save Me, which is essentially an up-tempo ballad that doesnвЂ™t really go anywhere. This album is powered almost exclusively by synth and Chester BenningtonвЂ™s vocals, with Mike Shinoda taking the occasional turn, but this is very much ChesterвЂ™s album to vocally dominate.

#LINKIN PARK ONE MORE LIGHT ALBUM UPGRADE#

Synths are in in a big way, which makes one think Joe Hahn has probably had to upgrade his set up as the primary source of instrumentation on this album. Rob BourdonвЂ™s drumming, a primary feature of many a previous Linkin Park album, is understated throughout and feels like it is there literally for timekeeping and little else. Anyone looking for a continuation of what seemed to be a return to their heavy roots on parts of The Hunting Party should probably stop reading now.ДЄside from the odd jangle of an acoustic here and a few seconds of distortion there, guitars are virtually absent for the entire album. On listening to One More Light in itвЂ™s entirety, you find out just what a radical shift they have taken. Given the direction taken by the singles already released from the album such as Heavy, Good Goodbye and Battle Symphony, it was obvious the band had made a complete departure from virtually everything theyвЂ™d done previously. ItвЂ™s hard to know where to start with Linkin ParkвЂ™s One More Light. Overall Score: 4/10 Songs: 5/10 Musicality: 3/10 WTF Value: 8/10 Pros: Chester's vocals in places | Heavy Cons: Pretty much everything else | What have they done?!

Linkin park one more light album